Video Editing Services

Video editing is quoted based on footage volume, length, and complexity. We provide a fixed-scope quote after reviewing your project, so costs are clear from the start.

Most short edits are delivered within a few days, while longer or more complex projects take one to two weeks. Ongoing content pipelines follow an agreed weekly schedule.

Yes. Professional color grading, audio cleanup, music, and sound design are all part of our video editing service.

Definitely. We edit and reformat videos for Instagram, TikTok, YouTube, Shorts, and more — optimized for each platform's aspect ratio and audience.

Whatever is easiest for you. Most clients use Google Drive, Dropbox, WeTransfer, or Frame.io, and we can provide an upload link if you would rather not manage it. Send the original camera files rather than an export where possible — re-compressed footage limits how far the colour grade can be pushed. Send your audio separately too if it was recorded on a separate device.

Yes, and a lot of good work starts that way. Modern phone footage grades well in the right hands. The thing that most often limits a phone-shot edit is audio rather than picture, so if you are filming for us, record sound on a separate microphone where you can and shoot in the highest quality setting your device offers.

Two rounds are included as standard: one on the first cut, and one on the polished version. Feedback is easier to act on when it is collected in a single pass, so we ask that each round comes as one consolidated set of notes with timecodes. Additional rounds are available and we will tell you what they cost before doing the work.

Yes. Send us two or three videos you have published before, or a brand guideline document if you have one, and we will match the pacing, typography, colour treatment, and music style. If you have an existing title or lower-third template we can work to it directly, so new videos sit alongside your back catalogue without looking out of place.

Yes, and we only use properly licensed tracks. Every edit ships with music cleared for commercial use, so there is no risk of a takedown or a copyright claim on your channel. If you want a specific commercial track we will tell you honestly what licensing it would cost, which is often far more than clients expect — in most cases we can find a production-library alternative that sits very close to the reference.

Yes. Retainer arrangements suit teams publishing weekly or monthly, and they work better than one-off briefs because the editor learns your style and stops needing the same notes twice. We agree a volume and a turnaround window, reserve capacity for it, and hold a consistent look across everything in the run. Pricing per video drops compared with booking each one individually.